Laura is the daughter of noted advertising guru Al Ries. In
1981, Al and his partner Jack Trout wrote one of the most influential marketing
books ever published, Positioning: The Battle for Your Mind. “Al’s whole career has been built on that
book,” she said in a phone interview from her office in Atlanta.
While Ries was a respected marketing professional and had
authored articles in trade publications on the concept of positioning, Laura
says it was the book that pushed him to the forefront of advertising circles
and gained him credibility throughout the industry and beyond. “That’s what
built his brand,” she said.
Ries and Trout combined their talents for four other
marketing books: Marketing Warfare, Bottom Up Marketing, Horse Sense and
The 22 Immutable Laws of Marketing. Following the 1994 publication of the
lattermost, the two amicably parted ways. That’s when Al and Laura started Ries
and Ries, and co-authored The 22 Immutable Laws of
Branding in 1998.
Laura says that and the four books that followed gave their
audience the tools to further their own careers or companies while they gained
her and her father even greater credibility in marketing circles. “It’s a great
advantage to use a book as a marketing tool,” she said. “It helps to become
more well-known. It helps our consulting business.”
Ries says having her name on the spine of the books gave her
the kind of stature she would never have gotten otherwise. She took that to the
next level with her own book, Visual Hammer, published last year. “I was in the shadows. With Visual
Hammer, it was time to put my own name out, to stand on my own. We’re a
great team, but it’s also important to have your own identity.”
What’s more, Visual Hammer was self-published. “With
the rise of Amazon, it’s less necessary to have a traditional publisher. It’s
the same with music, with iTunes. It’s a tremendous opportunity. It’s more fair
– the market can decide what’s good.” Ries says the subject matter of Visual
Hammer dictated that it be an ebook, but she remains a fan of books in
print. “Writing a book talking about visuals, with color visuals, in a
traditional book that’s not economically feasible,” she said.
Ries says self-publishing also gives her more control over
the final product: She can decide on the cover art, the title, the marketing of
the book. “The title of a book is enormously important,” she said. It’s critical
it not be too melodramatic, nor too bland. “The Fall of Advertising and the
Rise of Public Relations was originally going to be called The Death of
Advertising. The head of (trade publication) Advertising Age said,
‘You can’t have that title.’ Then it was going to be The PR Era.” The
final version got it just right.
Ries says that control even extends to the length of a book.
“In traditional publishing, larger was always better,” she said. “It’s got to
be a BOOK.” In self-publishing, an author can make the book any length, which
in today’s bullet-point world can make the difference between a book that sits
on the shelf and one that actually gets read. “Particularly in business books,
if it’s 300 pages, I feel like I’ve got to slog through it,” said Ries.
Regardless of the format, Ries says one thing remains true.
“You have to have something to say. You can’t use it (a book) just to market
yourself. The key is to figure out what you stand for.”
Once you’ve determined that, Ries says it’s important to use
that book to leverage your career, whether it’s a marketing book, a general
business book, a cookbook or a book about health. Using your passion to create
a niche for yourself in your chosen field gives you a leg up. “You have to put
in the time,” she said. “Whatever the genre, it’s a great way to get clients.”
